| ABOUT
THE ARTIST
ISTVAN FUJKIN “Techno-surrealistic Visual Artist of Music”
Born in the former Yugoslavia, Istvan Fujkin has been a visual artist since 1974. He is a self-taught
artist, a visionary with a distinct techno-surrealistic style of music-canvas fusion called
“Fujkin’s Music Vision.”
Istvan Fujkin’s artistic style builds upon various pre-existing styles, but its uniqueness comes from its imagery, the techno-surrealistic metamorphosis of the world of music into visual arts. The metaphorical visual expression of music in his paintings has been inspired by familiar tunes and the artist’s internal soul reverberations. Fujkin’s art unchains deep emotions and reaches the subconscious, a reaction often neglected in today’s artistic world. His style and technique enable him to reach uncharted territories and go beyond barriers of time and space. Translating music into visual images, as well as giving paintings a “high-tech” appearance without the use of any technical aids but a standard paintbrush, is an art in itself.
His inspirational artwork is created under the auspices of his “Fujkin’s Music
Vision”, and many of his works are exhibited as significant parts of musical events due to their ability to fuse the worlds of music and visual arts.
Istvan Fujkin has been a member of the Metronome Canada Creative Team since 2003.
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By becoming a member of the Creative Team working on the preliminary plans and designs of
Canada’s Metronome Music Museum, a new chapter has opened in Istvan Fujkin’s career. He contributed with his artistic talent to the designs of the future Metronome Canada, a one-of-a-kind “music city” featuring a National Music Education Centre and Museum, a cultural benchmark for Canadian music and an international attraction representing Canada and its contributions to the world of music.
As a Metronome Canada Creative Team member, Istvan Fujkin took charge of various designs for the Metronome Canada project. These include the inception and design of a Serendipity Music Sculpture Garden with a Musicland Playground, Music Totem Pole and the interior design of the “Rhapsody” Rooftop Restaurant and Bar.
This project capitalizes on his creative talent, but most importantly, it offers him the opportunity to share his
“Blue Owl” project with the world.
The artworks of his “Blue Owl” project represent a link between visual arts and contemporary music inspired by First Nations musical traditions. As an original part of Metronome Canada, the paintings and designed music themed sculptures of his
“Blue Owl” project will become a central element of a permanent First Nations music exhibition, and for Fujkin, a tribute to musician and composer
Robbie Robertson, whose songs served as the main source of inspiration for his artwork.
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Career Flashback
Hungarian visual artist Istvan Fujkin moved to Toronto in 1997. Prior to settling in Canada, his artwork had been known mainly in Hungary, where his individualistic style was highly distinguishable on the visual arts scene and in the domain of contemporary Hungarian music.
In 1990, István Fujkin joined the "Laser Theatre" of Budapest, which is the only permanent theatre of this kind in Europe. It uses the interaction of light and music and the most advanced auditory and visual technology. Fujkin contributed tremendously to the success of the theatre by artistically combining these advanced forms of light and sound expressions and by developing a new method of multi-visional panoramic projection.
Since Fujkin’s work is inspired by musical experiences, many prominent rock stars and rock groups in Hungary have enhanced their new albums through CD covers and illustrations designed by him. Aside from his creative accomplishments in fusing visual arts with music, Fujkin responded to challenges involving the design of book covers and title pages for prestigious magazines.
Another important aspect of Fujkin’s work in Hungary consisted of developing and furthering the concept of “visual novel” and producing illustrations. The “visual novel” presents its message on usually one page without the use of any linguistic clues. The advancement of this form of expression in Hungary was greatly influenced by Fujkin’s innovation. This innovation goes back to 1985, when, for the first time, he visually depicted popular songs in a monthly Rock Magazine published in Yugoslavia. He continued to use this innovation later on when he moved to Hungary in 1990, and ultimately it won him “The Visual Novel Artist of the Year” title in 1993.
After he moved to Toronto in 1997 and up until 2001, Fujkin was an associate character designer with “Super Fly Films,” the animation studio of Oscar-winner Animation Director, Ferenc Rofusz. As well, Fujkin managed the regular “Cartoon Corner” of the “Hungarian Life” Toronto weekly newspaper. He was also the art director and illustrator of “Pythagoras Notebooks” (Toronto), Hungarian literary periodicals.
Since 2002, his time and talent have been solely dedicated to his “Blue Owl” project and making Metronome Canada become reality.
EXHIBITIONS:
Individual Exhibitions:
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2004
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Toronto, Canada – “Metronome Music Museum Project
Milestone Event” – The Molson Amphitheatre
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2004
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Toronto, Canada – Remenyi Music House
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| 2004
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Budapest,
Hungary – “Szamizdat – Poetry Night”
FIDESZ Headquarters
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1997
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Budapest, Hungary - “Jazz – Gala” - Thalia Theatre
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1995
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Budapest, Hungary – “Musicians for Sick Children Gala”
Congress Centre
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1993
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Budapest, Hungary - “Musicians for the Environment Gala”
Congress Centre
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1989
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Cologne, Germany - Ute Gallery
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1989
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Munich, Germany - Rech Music Centre
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1989
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Kanizsa, Yugoslavia - “37th International Writers’ Program”
KASZ Gallery
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1987
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Budapest, Hungary – Metro Club
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1987
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Kanizsa, Yugoslavia - “35th International Writers’ Program”
KASZ Gallery
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1986
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Szabadka, Yugoslavia – ME Gallery
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1986
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Sarajevo, Yugoslavia – ULUB Gallery
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1985
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Zenta, Yugoslavia – Museum of Fine Arts
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1985
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Kanizsa, Yugoslavia - “33rd International Writers’ Program”
KASZ Gallery
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1984
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Szeged, Hungary – City Art Gallery
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1983
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Novi Sad, Yugoslavia – Youth Tribune
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1983
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Kanizsa, Yugoslavia - “31st International Writers’ Program”
KASZ Gallery
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1982
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Kanizsa, Yugoslavia - “30th International Writers’ Program”
KASZ Gallery
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1981
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Szabadka, Yugoszlavia – ME Gallery
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| 1981
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Horgos,
Yugoslavia – Cultural Community Centre
Kanizsa, Yugoslavia - “28th International Writers’ Program”
KASZ Gallery
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1979
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Munich, Germany - Rech Music Centre
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1978
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Becse, Yugoslavia – City Art Gallery
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1978
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Toplya, Yugoslavia – ME Gallery
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1978
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Kanizsa, Yugoslavia - KASZ Gallery
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1978
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Horgos, Yugoslavia – Cultural Community Centre
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1977
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Szabadka, Yugoslavia – ME Gallery
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1977
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Kanizsa, Yugoslavia – KASZ Gallery
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1976
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Bihac, Yugoslavia – Dom JNA
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1975
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Kanizsa, Yugoslavia – KASZ Gallery
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Group Exhibitions:
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2000
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Mississauga, Canada - “The Thousand Year
The Art of Hungarian Canadians” – Living Arts Centre
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2000
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Toronto, Canada - “The Thousand Year – The Art of Hungarian
Canadians” – Neilson Park Creative Centre
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1993
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Nyiregyhaza, Hungary – “2nd Hungarian Comic Book Festival”
City Art Gallery
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1992
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Tokaj, Hungary – “1st Hunagrian Comic Book Festival”
City Art Gallery
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1989
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Szabadka, Yugoslavia – “Vojvodina Fine Arts Biennale”
Fine Arts Salon
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1989
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Belgrade, Yugoslavia – “Vojvodina Fine Arts Exhibition”
ULUS Gallery
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1989
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Novi Sad / Yugoslavia – “Vojvodina Fine Arts Exhibition”
UPIDIV Gallery
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1985
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Szabadka, Yugoslavia – “Szabadka Fine Arts Biennale”
Fine Arts Salon
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| 1986
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Novi
Sad, Yugoslavia – Youth Tribune
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1986
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Zagreb, Yugoslavia – “Vojvodina Fine Arts Exhibition”
ULUH Gallery
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1985
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Belgrade, Yugoslavia – “Vojvodina Fine Arts Exhibition”
ULUS Gallery
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1985
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Novi Sad, Yugoslavia – “New Members Exhibition”
UPIDIV Gallery
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1985
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Zenta, Yugoslavia – Artist Centre
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1985
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Pristina, Yugoslavia – “Vojvodina Fine Arts Exhibition”
ULUC Gallery
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1985
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Sarajevo, Yugoslavia – “Vojvodina Fine Arts Exhibition”
ULUB Gallery
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| 1982
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Ruma,
Yugoslavia – “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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1983
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Vinkovci, Yugoslavia – “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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1983
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Nis, Yugoslavia – “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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1981
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Sarajevo, Yugoslavia – “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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| 1982
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Novi
Sad, Yugoslavia – Forum Club Gallery
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1982
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Ada, Yugoslavia – City Art Gallery
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1980
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Novi Sad, Yugoslavia - “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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1981
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Rijeka, Yugoslavia - “Vojvodina Amateur Visual Artists Exhibition”
RU Gallery
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| 1978
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Becse,
Yugoslavia – City Art Gallery
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1976
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Szabadka, Yugoslavia – ME Gallery
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1977
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Temerin, Yugoslavia – “TAKT” City Art Gallery
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1974
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Muzslya, Yugoslavia – Artist Centre
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1974
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Zagreb, Yugoslavia – Youth Tribune
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1972
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Horgos, Yugoslavia – “200-year Jubilee” Karasz Castle
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AWARDS:
2005 - The Best Artist of 2004 - Net Odyssey, Canada
1993 - "The Visual Novel Artist of the Year "
Award - Nyiregyhaza, Hungary
1985 - Fine Arts Grand Prize - Pristina, Yugoslavia
1985 - Fine Arts Grand Prize - Sarajevo, Yugoslavia
1983 - Certificate of Merit - Ruma, Yugoslavia
1974 - Certificate of Merit - Muzslya, Yugoslavia
1974 - Certificate of Merit - Zagreb, Yugoslavia
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